"ASH"- full VFX Pipeline
ASH Trailer
PRPVFX recently completed 340 VFX shots for the feature film "ASH," directed by DJ Flying Lotus, and produced by GFC Films and XYZ Films. This project offered a unique opportunity for our artists to collaborate closely with Flying Lotus, fostering a deep investment and creative synergy that brought the film's vision to life.
"Carol and the Team at PRP stunned me quite often with their stunning visuals and reliable professionalism. They were a one stop shop that made our tiny indie feel like a baby blockbuster. Amazing team!"- Flying Lotus
Experience Flying Lotus on Spotify!
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"SPLATSPLASM" - VR Game for Meta Quest
PRPVFX have completed their debut VR game- "Splatsplasm", which is available on the Meta Quest Store. Always wanted to splat vicious alien critters against a wall with sports equipment (...or a rubber chicken!) playing in time to catchy beats..? Then this is your game!
George Port masterminded the concept and plotline for Splatsplasm, and it has been bought to life by the team at PRPVFX, who have mastered a whole new skillset along the way!
Check out the dedicated site for SPLATSPLASM here:
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"AUDITION IN HELL" - CG short
"Audition in Hell" has been a deeply personal project for all involved since the passing of its writer and star, Mark Blum, from COVID-19 in March 2020. Initially written as a play, Mark had been considering its adaptation into a live-action film for several years. Due to challenges in aligning the schedules of the desired cast, the decision was made to transition the project into an animated film, inspired by the classic stop-motion films beloved by Mark and George.
In January 2020, voice recording sessions were organized with an esteemed cast including Mark Blum, Lee Wilkof, Austin Pendleton, and George Port. Following the completion of the recordings and the approval of the dialogue edit, production began. Unfortunately, Mark Blum passed away before seeing the project come to fruition.
Mark's vision was carried forward by the dedicated team at PRPVFX. Despite the lockdown challenges, the team devoted themselves to the project, completing it within a year and a half, with a soundtrack by Bruce Lynch.
The resulting film stands as a testament to Mark Blum's creative legacy, honoring his original vision and serving as a fitting tribute to his work.